Latin music veteran De La Ghetto is back with Daylight, a new EP that steps outside the usual boundaries of the reggaetón genre. This seven-track release, now available on all major streaming platforms, pushes toward a more experimental sound while still keeping his core style intact.

It’s a project that blends reggaetón with afrobeats, EDM, and reggae fusion. The result? A mix of tracks that feel bold, global, and built for both headphones and speakers.

Seven Tracks, One Unified Vision

Daylight includes the following songs:
Phil Jackson, Loco, Toa’ Toa’, Acerola, Organic, RMPR T, and Otro Minuto.

Each track brings something different, while staying under the same creative umbrella. The standout single “Loco” was mixed and mastered by Mosty (of Artico Studios), whose fingerprints are behind many Latin hits. The rest of the EP was shaped at One Music Studios in Puerto Rico by Obed Guzman “Oby The1,” who handled both production and engineering.

The EP also comes with a Dolby ATMOS mix, giving fans a more immersive listening experience.

Built Across Borders

Daylight wasn’t just made in one studio. It came together across Orlando, Medellín, and Sevilla. That international approach shows up in the sound. The team included Josh del Valle “La Barba de Oro,” Marco Acevedo (producer of “Toa’ Toa’” and known for his EDM work), Spanish producer Uve, and songwriter Miky La Sensa.

Their collaboration reflects De La Ghetto’s intention to stay global, experimental, and rooted in quality.

A Long Career, Still Moving Forward

De La Ghetto has been a fixture in Latin music for years, known for his early contributions to reggaetón and urban Latin sounds. But with Daylight, he’s not relying on nostalgia. Instead, he shows a clear desire to keep moving, keep shifting, and keep making music that feels current.

The EP isn’t trying to replicate trends—it’s exploring them on its own terms. That might be what keeps De La Ghetto in the conversation, even as the sound of Latin music continues to evolve.