Kany García has announced the "Puerta Abierta Tour," a 76-date world tour that spans five continents and ends where it logically has to: a closing night on December 4 in San Juan, Puerto Rico, her hometown.

The singer-songwriter has spent the past decade building one of the most consistent careers in Spanish-language music without relying on features or format shifts to stay relevant. Her catalog, which stretches back to her 2007 debut and runs through her Grammy-winning work in adult contemporary Latin pop, has earned her a reputation as one of the genre's most trusted live performers. Billboard has tracked her multiple Latin Grammy wins and consistent chart presence across Latin pop and singer-songwriter categories, noting her particular strength with audiences in Colombia, Puerto Rico, and the U.S. Hispanic market.

Kany García Opens the "Puerta Abierta" Tour in Mexico, Where Demand Is Highest

The tour launches April 17 in Mexico City, the country with the most scheduled dates on the entire run at 19. From there, the tour moves through Peru, Chile, Panama, Costa Rica, Colombia, the Dominican Republic, and Ecuador before crossing the Atlantic for a European leg in June that includes Milan, Zurich, Paris, London, Barcelona, and Madrid. By the time García reaches the United States in September, several markets will already have context for how the tour is moving: as of the announcement, dates in San José (Costa Rica), Bogotá, Medellín, and Santo Domingo had sold out before general tickets went on sale April 17.

The U.S. leg runs from September through early October and covers 16 cities, including Highland, CA, San Antonio, Houston, Inglewood, Chicago, Newark, Philadelphia, Washington D.C., Miami, and Orlando. A Canada swing in late September adds Toronto and Montreal. The tour then returns to Mexico for another round of dates in October and November before heading to Central America for shows in Honduras, El Salvador, and Guatemala.

The December Finale in Puerto Rico Anchors the Entire Run

Tours of this size often end in the biggest commercial market. García's ends at home. The December 4 date in San Juan is the only Puerto Rico stop on the schedule, and the announcement positions it as the intended emotional close of the entire run. Whether the production reflects that weight remains to be seen, but García has built enough goodwill with her home audience, through consistent output and years of touring the island, that the expectation is already there.

With 76 confirmed dates and at least four already sold out before the general on-sale opened, the Puerta Abierta Tour represents García's most ambitious touring cycle. For an artist who has largely operated outside the reggaeton and urban Latin lanes that dominate streaming numbers, the scope of this run is a clear signal that the audience for her kind of music, rootsy, confessional, built for theaters, is larger than the algorithm tends to reflect.