The Colombian trio BROKIX is back, and this time they’ve brought “Flores.” Their newest single, featuring Jhay P, blends cheeky charm with gritty beats to create something that lands somewhere between a late-night text and a street anthem. Released just ahead of Festival de las Flores, the timing couldn’t be more fitting.

The song balances soft reggaetón undertones with the group’s signature alt-urban energy. It’s smooth but not polished, flirtatious but not soft. The chorus (“Te traje flores, pero pa’ entonarte o media de guaro por si quieres emborracharte”) says it all—there’s romance, but there’s also liquor, chaos, and no real promises. Just vibes.

Medellín Meets Cali, On and Off the Screen

The music video adds another layer to the track’s mood. It merges Jhay P’s floral aesthetic with BROKIX’s visual edge—bold streetwear, gritty colors, and plenty of visual effects that feel like Medellín and Cali in full motion. It ends with a nod to both cities: “Cali y Medallo, baby.”

BROKIX has always worn their hometown on their sleeves, and “Flores” makes that loyalty loud. It’s not just a love song, it’s a statement wrapped in roses and swagger.

The BROKIX Formula: No Labels, No Limits

Formed by Kryan, Jayce, and KidNicco, BROKIX has carved out a space in Latin music that isn’t bound by rules. Their sound fuses ’90s punk energy, modern reggaetón rhythm, and a raw alt-pop edge that makes everything feel personal, emotional, and unpredictable.

They’re not trying to chase a moment. They’re trying to make music that feels like them—messy, honest, and defiant. And it works.

Momentum That Doesn’t Quit

Since signing with Universal Music Latino, BROKIX has been all gas, no brakes. From opening for Tiago PZK at Movistar Arena, to performing for 45,000 fans during Feid’s FERXXOCALIPSIS Tour, to making waves at Festival Estéreo Picnic, their live shows have built a rep: sweaty, explosive, and unforgettable.

Add in collaborations with Ñejo, Justin Quiles, Feid, and more, and the trio isn’t just making music—they’re helping shift the direction of the genre itself.

What Comes After the Flowers?

With “Flores,” BROKIX signals the start of a new phase—one that’s bolder, more collaborative, and laser-focused on staying true to their sound while opening the door for others who don’t quite fit the mold.

The new wave of música urbana isn’t about formulas or fitting in. It’s about carving space for identity, emotion, and creativity without compromise. BROKIX is already building that space—and “Flores” is just the beginning.