When both Miami and Brooklyn sold out, Omar Courtz did not move on. He added more dates. The Puerto Rican artist has announced two new stops on his Por Si Mañana No Estoy USA Tour: a second night at Barclays Center in Brooklyn on September 8 and a second night at Kaseya Center in Miami on September 11.

Courtz arrived at this moment on the back of numbers that would look ambitious as a marketing target. His sophomore album, Por Si Mañana No Estoy, has accumulated over 1.04 billion streams since its release, debuted at No. 1 on Spotify's Top Albums Debut Global chart, and placed 11 tracks on the Hot Latin Songs chart. On Billboard, it landed at No. 3 on both Top Latin Albums and Top Latin Rhythm Albums, his second top-ten entry on that chart. The album's lead single "KOKO," produced by Sky Rompiendo, has surpassed 105 million streams, hit No. 1 in Spain, Costa Rica, Ecuador, Honduras, El Salvador, Panama, and Nicaragua, and generated more than 3.6 million TikTok creations. As Billboard has tracked across recent Latin cycles, that kind of regional chart saturation combined with digital velocity is an unusual combination for an artist still in the early arc of a recording career.

Omar Courtz Brings the Arena Show to Brooklyn and Miami Twice

The full tour, produced by OD Entertainment alongside Live Nation, opens August 19 in San Jose, California and moves through Los Angeles, Las Vegas, Houston, Atlanta, Chicago, and New York before the run closes September 13 in Orlando at Kia Center. The new Brooklyn date slots in on September 8 at Barclays Center. Miami follows three days later on September 11 at Kaseya Center.

Both Barclays and Kaseya are among the most prominent arena venues in their respective markets. Barclays Center, which opened in 2012, anchors the Flatbush Avenue corridor in Brooklyn and hosts some of the highest-profile Latin music events on the East Coast. Kaseya Center, home to the Miami Heat, sits on Biscayne Bay and regularly serves as the venue of choice for major touring artists playing South Florida. For Courtz, landing a second night in both buildings puts him in company with a narrow tier of Latin artists who can consistently move inventory at that scale.

The Por Si Mañana No Estoy Tour Marks a New Phase for the Puerto Rican Artist

The tour is positioned as the live translation of an album that spans reggaeton, R&B, trap, electronic textures, and afrobeats across 18 tracks. Prior to this run, Courtz built international audience on the Primera Musa Global Tour. The Por Si Mañana No Estoy USA Tour is his first time scaling into major arena markets across North America, and the sell-out response in the initial wave of dates confirms that the album's streaming performance was not passive listening. People are showing up.

His current standing on the Global Digital Artist Ranking places him at No. 7, one of only two Latin artists in the Top 10 alongside Bad Bunny. Tracks "FOREVER TU GANTEL" and "WO OH OH" entered Spotify's Top Songs Debut Global chart at No. 7 and No. 8 upon release.

The expanded run will test whether that momentum holds through a full North American summer. Based on what the first round of on-sales produced, the answer appears to be yes.